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the appalling treatment of indigenous people in Queensland by settlers, government and police;
the forced relocation of the unwanted and 'undesirables' to Palm Island's virtual prison;
the continuing consequences of the stolen generations and separated families;
the culture of apathy and denial within the police, forensic pathologists and the justice system;
the code of coverup;
the 'them and us' attitudes of some in the Deep North towards their Southern cousins;
the legacy of Christian missions on indigenous beliefs and values;
the sorry state of reconciliation in parts of Australia.
It's hard to come away from this confronting book with any optimism. The investigation was compromised by the casual clubbiness of the police involved. Two key aboriginal witnesses were not called to testify. One, according to Hooper, because of his "drinking and inconsistencies", the other because 'he was "more copper than blackfella"'. The acquittal took only 3 hours of jury deliberations including lunch. It has taken six years for Hurley to make any sort of apology to the family. The leaders of the riot were punished with clinical efficiency.
Too many aboriginal communities are dominated by whites who hold most of the important jobs and the real power. Even aboriginal community police hold little or no real authority.
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Chloe Hooper's frank verdict on the tall man:
Hurley had become a kind of folk hero. It was as if he'd been not so much acquitted as forgiven And in forgiving him, people forgave themselves.
It's easy to feel that she was trying to nail him for the still unexplained violent death of Cameron Doomadgee. The book club members felt that she was more interested in exposing the way things are, in finding some kind of truth. Unfortunately the latest inquest is unlikely to nail the truth either.
The Tall Man documents the death in police custody of aboriginal Cameron Doomadgee on Queensland's Palm Island in 2004 and the subsequent inquests and trial of Sergeant Chris Hurley.
One of the best things about this documentary is that it lets the people speak for themselves. There is no heavy narration or running commentary. Of course that doesn't necessarily make it objective or without a point of view. As I wrote about the book's author Chloe Hooper:
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It's easy to feel that she was trying to nail him for the still unexplained violent death of Cameron Doomadgee.
The audience can draw their own conclusions, just as Chloe Hooper's readers had to. Some voices are missing, especially Sergeant Hurley and other members of the police force. We have to rely on extracts from his interviews during the investigation and subsequent legal proceedings.
Some aspects are left out such as detailed coverage of the riots and subsequent prosecutions. Some recent developments since publication have been added. It's hard not reach for clichés such as disturbing and confronting. It's also hard to leave the theatre with any feeling of optimism about most of the issues outlined above.
If you missed this quality production at the cinema, SBS should be screening it later and hopefully will be available on SBS OnDemand.
Kevin Rennie is a retired secondary teacher, unionist and has been an Australian Labor Party member since 1972. He spent eight years teaching in the Northern Territory: four in Katherine, followed by four in Maningrida, an aboriginal community in Arnhem Land. Kevin lived in Broome from January 2007 to May 2008 and now lives in Melbourne. He blogs at Red Bluff,
Labor View from Bayside and
Cinematakes. He is also a
Global Voices
author.